Mossy Minds & Monotropism

“Attention without feeling,
is only a report.”

Mary Oliver — Upstream: Selected Essays (2016)

The quote, “Attention without feeling, is only a report.” from Mary Oliver — Upstream: Selected Essays (2016) resonates with me as a deeply monotropic person. It summarises what happens whenever I find myself pulled into a moment so fully and immersively that the boundary between noticing and becoming begins to dissolve, and time melts away. These moments will be different for everyone, they happen when our monotropic bodyminds are pulled towards something, it returns when I am in woodlands and when I see moss, fungi, flowing water.

There’s something about moss, it’s soft resilience, its quiet deep greenness of a million shades, the way it persists and thrives on forgotten land and inbetween stones, on forest floors and brings old things back to a new life. Moss doesn’t demand to be seen, but when we do look, really look, really feel, and really give ourselves time to sense and be with moss, it offers a different kind of presence and an almost different kind of knowing and connecting and Autistic Joy.

I am exploring the idea of moss as an invitation to consider monotropism, ethodiversity, and neuroqueering our spaces as a way of creating belonging. Drawing from the work of Popova, M. (2023). The Magic of Moss and what it teaches us about the art of attentiveness to life at all scales , Robin Wall Kimmerer, Mary Oliver, Anna Lowenhaupt Tsing and others, alongside my emerging neuroqueer and holographic ideas, I am considering if moss (like mushrooms and water which I have written about before!), could offer not only a symbol and metaphor for neurodivergent thriving but a methodology to reclaim creative practice and ways of being that resists the fast, extractive modes of dominant neuronormative culture.

Note: These thoughts are evolving through discussions in the community spaces I am engaging with such as; Neuroqueering Your Creative Practice by KR Moorhead, Marta Rose and Meg Max, Barbara Melville’s Writing the Dawn nature writing workshop and my engagement with Stimpunks, CASY and Monotropism discord community, amongst others………

So………….

More monotropic musings…….

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Monotropism: Deep Attention, Embodied Feelings

Monotropism (Murray et al, 2005) is a neuro-affirming theory of Autistic experiences. It describes a tendency to enter flow states of deeply focused attention, to move inward towards just one or a few connected interests, sensations, or patterns at anyone time and to dwell there. This is not just a cognitive style; for myself being monotropic it is a whole-bodymind sensory way of being. For many Autistic/ADHD people, monotropism underpins and helps to make sense of our sensory experiences, ways of learning, communication styles, and creativity. If you are Autistic / ADHD the theory of monotropism may resonate and help explain how you process and relate to the world.

In environments dominated by neuronormativity ,which are structured around multitasking, high demands, quick-switching of attention tunnels, and surface level engagement, monotropic people can be often misread as being obsessive, inflexible, or disengaged. If we reframe this deep-focus not as deficit, but as capacity and energy, it offers a more affirming lens of Autistic experiences as being a form of attunement with attentional resources, a way of giving attention feelingly and holistically.

For me, Robin Wall Kimmerer’s Gathering Moss (2003) exemplifies monotropic attentional ecology. Her writing spirals and notices what others may overlook such as the micro-patterns of bryophytes (group name for any non vascular, rootless plants like moss) , the webs that cover forest floors and emerge through cracks and over sleeping objects. Kimmerer just doesn’t describe moss she enters into relationship with nature, her science and writing is guided by care, her noticing is lived, it feels very monotropic much like Merlin Sheldrake’s Entangled Life (2023).

To attend like this, monotropically, with feeling and deep attention is not just to extract facts, but to stay present with complexity, multiplicity and connect with nature and our environment rhizomatically, completely and become deeply absorbed in greenness and texture. As Mary Oliver reminds us, “without feeling, attention becomes mere reporting“. For some monotropic people their perception may offer a different kind of report / blog writing/ creative experience, one filled with sensory details and emotional resonance, there are no barriers between the body and the environment, the moss, nature.

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Nature Positivity: We Are Not Outside the Ecosystem

Nature positivity was a term only recently introduced to me on Barbara Melville’s writing course. It made me think about how as a neurodivergent person I am not disconnected from nature but often deeply and almost painfully attuned to it, inseparable, we are a part of nature. We do not need to be brought back into the natural world; we need to be recognised as already being part of it. Our sensory experiences, our flows of attention, our non-normative experience of time, memories and rhythms, aren’t deviations from a natural or ‘normative’ baseline, they can be seen to be part of biodiversity and our wider ethodivergent ways of being (Tarragnat, 2025).

Ethodiversity is a term developed by Ombre Tarragnat (2025) to describe the variability of behavioural and existential styles within and across species. Ethodiversity invites us to move beyond a purely neurological model of divergence and into a more-than-human framework of difference. It reminds us that there are many ways to live, relate, and thrive not only for humans, but for all living things.

Moss embodies ethodiverse wisdom. It rejects hierarchy and human time, it forms webs, it’s value is in its interconnectedness and the spaces inbetween. We can learn from all non-human beings and living things, we are all interconnected and if we give our selves more time to tune in to the natural world we could perhaps can expand our ways of thinking, not just as humans for humans, but as part of nature. We can help to recreate a world where every living thing can thrive (non-human and human). It creates a space to think about our relationship with the wider planet we are in, the importance of environmental sustainability, not just focusing on our human-centric needs (Solarpunk ideas).

In this sense, moss, like many other aspects of nature, becomes a kind of kin, we are interdependent. I think lots of us are trying to survive from the edges, in the liminal spaces, trying to grow in shade and darkness through cycles of burnout. I live in the dark-mode, underground settings of Discord servers, it is where I feel at home, inbetween the reality of life outside my front door and where I really feel safe and a sense of belonging. Moss grows across ruins, rooftops, gravestones and inbetween the places and objects people normally tread over or overlook. It softens hard spaces and it survives and thrives on it’s own terms, in it’s own way much like our online community spaces.

Mushrooms and fungi, like moss, offer a metaphor of hope and an opportunity to think about how we can create a life from capitalist ruins which invalidates and overlooks neurodivergent needs and potential. Anna Tsing’s The Mushroom at the End of the World reminds us that life persists in the ruins of Capitalism, not in spite of disruption, but through it and can flourish through adversity. Like matsutake mushrooms thriving in disturbed forests, neurodivergent people often live in the edges of systems, through adversity, in fractured spiral time, outside of centralised blueprints and neuronormativity, however hard these systems try to contain us and pressure us to mask. This resonates deeply with monotropic ways of being, our ability to create our own Autistic rhizomes and communities, how our senses sometimes form unlikely but radically resilient connections in overlooked spaces.

Tsing’s emphasis on precarity, interdependence, and multi-species assemblages mirrors the sintered ways neurodivergent communities form: not through uniformity, but through shared friction and feeling. Our creative practices become more than self-expression, they are part of what Tsing calls the “arts of noticing,” where we document life not for control or mastery, but as a way of staying with complexity and multiplicity and to create shared meaning. It is a way to honour our entangled, emergent, sensory ways of being as ecologically vital. It reminds us that even in fragmented systems and broken ground, we can reclaim ourselves, find connection, and grow into something whole, be together and create something new.

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Sintering

In Sintering: Neurodivergent Community Building (2025), I explored the metaphor of sintering. Sintering is the process through which individual snow grains gradually begin to bond. Tiny necks form between them, bridging the gaps, making the snowpack stronger, more resilient, and more resistant to collapse.

In Theory of Water: Nishnaabe Maps to the Times Ahead (2025), Leanne Betasamosake Simpson offers this as a metaphor for collective becoming. “Sintering is a joining,” she writes, “It is a communal transformation that creates a fabric of former snowflakes bonded to each other… Sintering is bonding, it’s building coalitions with your neighbours” (p. 18).

This analogy resonates deeply with my own experiences of the neurodivergent community and the Autistic rhizome. Many of us begin our journeys alone trying to discover our real identity under the layers of masking and internalised ableism, realising we are caught in systems not made for us and that is why life has felt SO hard! Discovering I was Autistic was life changing for me. In my 40’s I suddenly had access to a whole world of new vocabulary to describe my experiences. It has been through connecting with other neurodivergent people through various online communities and sharing stories that my life has begun to make more sense. When we find each other across difference, across shared experiences, we can start to build bridges, rhizomes. Through conversation, care, and solidarity, we can begin to sinter.

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Neuroqueering from the Liminal

In Neuroqueering Liminal Spaces (2024), I wrote about the spaces where categorisation breaks down between identities, between disciplines, between states of being. Neurodivergent people often find ourselves in these thresholds, not quite fitting in, living in the margins, I am suggesting that liminality can be a fertile and exciting place to neuroqueer and evolve from.

Moss is liminal, it exists between. It mediates, connects and holds and brings things together. In many ways it could be seen to reflect what neuroqueer creative practice can be, something that isn’t fixed, something that moves away from dominant frameworks, it is textured and radically relational and multidimensional.

To write from moss is to write from the in-between spaces, attune to our environment, to feel safe and at home. It is to resist linearity, binary ways, hierarchy and to embrace multiplicity, to value the process of becoming and connecting.

Moss offers a model for neurodivergent thriving, one that honours attention with feeling, presence without performance and growth without urgency. It teaches us to notice differently, to value slowness, to dwell in the cracks and embrace neuroqueering, monotropic felt time.

Our creative practice can be moss-like, it can be sintered through our shared stories and experiences. To attend with feeling and lean into monotropic time can be a lifeline for many people who are experiencing burnout. It is a way of reclaiming our authentic ways of resting and being.

Monotropic attention, a different ecology

In the Writing the Dawn workshop I took part in this week, Barb Melville encouraged us to begin our writing with a nature-positive message. She asked us, not just what we notice, but why it matters. For me, moss represents a kind of quiet kinship, it is soft, slow and often overlooked and fills me with sensory joy. As a neurodivergent person, I see myself reflected in its persistence, its texture, its need for quiet, shaded places to thrive. In protecting nature and moss we are also protecting our sensory environments, the liminal spaces, and the overlooked ecologies that support neurodivergent ways of being and feeling safe.

This reflection can become call to action which Barbara invited us to think about. It enables us to think about reimagining ways of connecting, not just with nature but in the way we create our communities, educational spaces and care settings. We need to design practices that honour differences, not pathologise. Like moss, neurodivergent people thrive with more time and space, gentleness and connection in spaces like our Neuroqueer Learning Spaces.

My home is in the mossy, liminal spaces that we create together, in our reaching toward one another. Our strength is in radical resilience and sintering, our refusal to face the world alone, valuing interdependence and not conforming to harmful systems based only on neuronormative values. 

Radical resilience does not come from hardness or conformity, but from mossy softness, it comes from flow and fungi like rhizomatic community networks and the cumulative strength of many unique connections forming bonds to offer support to each other. As Bruno Lataur summarised, “Learning to live in the ruins of capitalism means learning to do without the notion of projects and, finally, moving on to an attentive description of situations that cannot easily change scale…..With her dog Cayenne, Donna Haraway had proved how far one could take analysis of relations between species. With her matsutake (mushroom), Anna Tsing proves that we can go still further, modifying not only the landscape to be described but what we should expect of meticulous description.”

Mossy, messy, monotropic ways

Nature-positive writing what ever the focus – mushrooms, moss, trees, water can be a radical act of reclamation, helping us grow cultures and communities that are ecologically aware. Neurodivergent spaces are rhizomatic, soft, mossy, fluid, flowy, webby and spirally and entangled. They allow space for dwelling, noticing, interdependence and omnidirectional growth.

‘To walk attentively through a forest, even a damaged one, is to be caught by the abundance of life: ancient and new; underfoot and reaching into light.’
pg 155 (Tsing)

Let’s keep growing spaces that honour slowness, texture, and sensory ways of knowing and feeling, where monotropic ways of being are not just accepted, but celebrated. Spaces where infodumping, deep focus, stimming, and sensory richness are recognised as meaningful ways of connecting and building interdependence between humans, non-human beings and our wider environments.

Monotropism lets us sink into and experience the world with our full-bodymind presence, not just noticing, but flowing and feeling with the world in ways that bring resonance, validation, and a sense of belonging. Mary Oliver wrote “Attention without feeling, is only a report.”, for monotropic people how we use our attentional resources helps to explain everything, it is how we experience life in all it’s joyful mossy, messy ways.

“Next time the bus is late,
take those waiting minutes to
look around for signs of life…..
amidst the noise and fumes
and elbowing crowds,
there is some small reasurance in the
moss between the cracks.”
(Kimmerer, Gathering Moss, pg 105)

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References & Further Reading

• Kimmerer, R. W. (2003). Gathering Moss: A Natural and Cultural History of Mosses. Oregon State University Press.
• Oliver, M. (2016). Upstream: Selected Essays. Penguin Press.
• Tarragnat, O. (2024). Biodiversity, Neurodiversity, Ethodiversity: Towards a More-Than-Human and More-Than-Neurological Turn in Neurodiversity Studies. TRACE: Journal for Human-Animal Studies. https://trace.journal.fi/article/view/144936
• Murray, D., Lesser, M., & Lawson, W. (2005a). Attention, monotropism and the diagnostic criteria for autism. Autism, 9(2), 139–156. https://doi.org/10.1177/1362361305051398
• Tsing, A. L. (2021). The mushroom at the end of the world: On the Possibility of Life in Capitalist Ruins. Princeton University Press.
• Edgar, H. (2024). The Power of Monotropic Flow: Reclaiming Ourselves Through Creative Practice. Autistic Realms. https://autisticrealms.com/the-power-of-monotropic-flow-reclaiming-ourselves-through-creative-practice/
• Edgar, H. (2024). Sintering: Neurodivergent Community Building. Autistic Realms. https://autisticrealms.com/sintering-neurodivergent-community-building/
• Edgar, H. (2024). Neuroqueering in the Liminal Spaces. Autistic Realms. https://autisticrealms.com/neuroqueering-in-the-liminal-spaces/
• Edgar, H. (2025, April 21). Neuroqueering Time: Bergson, Deleuze, and Monotropism (an exploration). Autistic Realms. https://autisticrealms.com/neuroqueering-time-bergson-deleuze-and-monotropism-an-exploration/
• Edgar, H. (2025b, May 22). The power of monotropic flow: reclaiming ourselves through creative practice. Autistic Realms. https://autisticrealms.com/the-power-of-monotropic-flow-reclaiming-ourselves-through-creative-practice/
• Sheldrake, M. (2023). Entangled life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures – the Illustrated Edition. Jonathan Cape.
• The MIT Press Reader. (2023, November 13). Bruno Latour on Anna Tsing’s ‘The Mushroom At the End of the World.’ https://thereader.mitpress.mit.edu/bruno-latour-on-anna-tsings-the-mushroom-at-the-end-of-the-world/
• Haraway, D. (2007). A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late 20th Century. In Springer eBooks (pp. 117–158). https://doi.org/10.1007/978-1-4020-3803-7_4
• Popova, M. (2023, February 28). The Magic of Moss and what it teaches us about the art of attentiveness to life at all scales. The Marginalian. https://www.themarginalian.org/2015/05/13/gathering-moss-robin-wall-kimmerer/
• Walker, N. (2021). Neuroqueer heresies: Notes on the Neurodiversity Paradigm, Autistic Empowerment, and Postnormal Possibilities. Autonomous Press.